A number of the hottest, weirdest, relentlessly provocative, and most accomplished paintings just like the vivid, shimmering, and that is seemingly gelatinous” (1997) as well as the brute “Untitled” (circa 2003), in which a farcical girl bird dominatrix is apparently as much as one thing ominous may actually allow us from the machine like repetitions noticed in the 1989 drawing “Untitled” (1989). The impression is given by these works to be impacted by the ancient, many breasted Ephesian Artemis fertility goddess.
Regardless if the kinds recommend straightforwardly constrained solitary sex types or androgynous, blended parts of the body, everything in Paradox of Pleasure talks in my experience regarding the radical human anatomy politics of cyberpunk energy, sex, and violence.
That churning anima of desire places it along with H.R. Giger’s famous 1973 painting “Penis Landscape” (aka “Work 219: Landscape XX”). But unlike Giger’s alien visual, Fernandez’s success is really a reinvention of romanticism, where in fact the performative and also the innovative seem curiously intertwined. Continue reading
