“The reincarnated Space Opera never really played out,” he said. “Once again, they had the ensemble from Juilliard. I tried to talk them into going out there, but they were up there for the sole purpose of being heard by record companies. That was their marketing plan. I mean, I could feel it. When you’re a band, you have to be a Mack Truck and there was something lost after fifteen years of hard work and not breaking through.
“Maybe they thought they had a better shot at getting a contract as an electric band. I was very happy working with Bullock-Fraser because by then David and Scott were talking music theory. And in terms of economics, it was a lot easier for me to work with, control and market the Juilliard/Bullock-Fraser setup, even though it was somewhat out there. I mean, there were plenty of roads between Boston and Washington, D.C. Continue reading
